Curation by: Afi Venessa Appiah
Printed artworks by: Jesse Katabarwa, Moyosore Briggs
Sculptural works by: ibiyanε - Élodie Dérond & Tania Doumbe Fines
Cinematography by: Christian Boakye-Agyeman
Sound Design by: Ouri & Tati au Miel
Research Support by: Sona Sadio and Daouda Ka
Exhibition Documentation by : Boiling Point Collective
Printed artworks by: Jesse Katabarwa, Moyosore Briggs
Sculptural works by: ibiyanε - Élodie Dérond & Tania Doumbe Fines
Cinematography by: Christian Boakye-Agyeman
Sound Design by: Ouri & Tati au Miel
Research Support by: Sona Sadio and Daouda Ka
Exhibition Documentation by : Boiling Point Collective
exhibitions &
book fairs
2020-2022
Concept/Curation
Montréal - Miami - New York
Black Experience isn’t a Spectacle explores the legacy of the voyeuristic gaze in visual representations of the Black body. It intends to exist as a restorative gesture against the erasure of Afrocentric perspectives in [art] history.
The concept’s foundational exhibition took place in Montréal, September 2020, at Anteism Books Gallery; it was then presented as a Special Project during the Printed Matter Inc. Book Fair at NADA Miami Art Basel 2021, where it won the MobileCoin Arts prize, to holding an exhibition space during Printed Matter’s Art Book Fair 2022.
View Catalogue
2018-2021
Curatorial Assistant / Visitor Services Assistant
National Gallery of Canada
In joining the National Gallery’s curatorial team, I conducted biographical and provenance research and wrote concise and accessible bilingual copy for the national institution’s exhibition spaces, printed materials, patron-facing webpages and virtual guides, press releases, enewsletters, and printed catalogues. I also handled clerical duties including email and phone public communications as well as membership management by maintaining records, processing renewals, and implementing outreach strategies.
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2018-2021
Gallery Manager/Curator
0x Society
I supported the founders of Canada’s first crypto art gallery in establishing foundational curatorial copy standards, language and brand voice.
I conceptualized exhibition themes while developing curatorial content and managing artists communications as well as in-gallery staff operations. I authored an in-depth knowledge database offering a digital academy platform that is the foundational curriculum of the gallery’s grants program.
All exhibition materials were implemented in strategic social media and enewsletter marketing plans.